{"title":"Releases","description":"\u003cp\u003eBrowse our Releases collection. Best Price.\u003c\/p\u003e","products":[{"product_id":"the-great-traitor-point-nemo","title":"The Great Traitor \u0026 Point Nemo","description":"\u003cdiv dir=\"auto\"\u003e\u003ci\u003eAs their first vinyl release, No Windows present a limited run of their two releases with Fat Possum - The Great Traitor (2025) and Point Nemo (2024) - on one exclusive, double EP pressing. 500 copies available.\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cdiv dir=\"auto\"\u003e\u003ci\u003eSince their formation in 2020, Edinburgh duo No Windows have followed a steep upward trajectory. Multi-instrumentalist Morgan Morris and lyricist Verity Slangen’s evocative blend of classic pop \u0026amp; folk has earned them widespread support from radio and press, as well as the coveted Sound of Young Scotland Award at the Scottish Album of the Year (SAY) Awards in 2023. In 2024, they signed to Fat Possum records at 18 and 19-years-old respectively, with just one self-released EP to their name.Their Point Nemo EP (2024), named after the most isolated location on Earth, explores themes of loneliness and alienation.\u003c\/i\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"No Windows","offers":[{"title":"Vinyl","offer_id":53696865304852,"sku":"san1787252754093","price":19.0,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":53696865337620,"sku":"fvw1787252754094","price":7.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/9486\/7220\/files\/the-great-traitor-point-nemo_1.jpg?v=1787252760"},{"product_id":"looks-like-rain","title":"Looks Like Rain","description":"\u003cp\u003eLooks Like Rain is a 1969 concept album by singer-songwriter Mickey Newbury. After recording his debut album with RCA, Newbury was dissatisfied with the resulting album and left RCA to pursue a style closer to his tastes. \u003c\/p\u003e\n\u003cp\u003e\"Looks Like Rain is so fine, so mysterious in its pace, dimension, quark strangeness and charm, it defies any attempt at strict categorization or criticism; a rare work of genius.\" - All Music\u003c\/p\u003e","brand":"Mickey Newbury","offers":[{"title":"Black Vinyl","offer_id":53696865566996,"sku":"hub1787252755903","price":11.68,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":53696865599764,"sku":"ezr1787252755904","price":9.48,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/9486\/7220\/files\/looks-like-rain_1.jpg?v=1787252762"},{"product_id":"lively-premonition","title":"Lively Premonition","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWho is Jordana Nye? And what is her signature sound? It depends on when you ask.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe 23-year-old, Maryland-raised songwriter arrived on the music scene with 2020’s Classical Notions of Happiness, an album of lo-fi pop and hushed folk songs recorded in her Maryland \u0026amp; Kansas bedrooms. She’d be back by the end of that same year with Something To Say To You, a compilation of two EPs featuring craggy indie rock and brokenhearted acoustic fare recorded in NYC apartment studios with friends.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBy 2022 she was swinging for the fences with the pristine pop of Face The Wall, all while shuttling back and forth between Brooklyn and her soon-to-be home of Eagle Rock, LA collaborating on a wide array of projects with a who’s who of Gen Z artists: Magdalena Bay, TV Girl, Yot Club, Paul Cherry, Dent May, Inner Wave.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“I don’t think I’ll ever settle on a specific sound,” says Jordana. “I’m just a chameleon.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSo her vibrant fourth LP, Lively Premonition, which is equal parts Laurel Canyon folk and shimmering yacht rock, should surprise no one.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Maybe it’s my LA record,” she says of the album she worked\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eon with producer and multi-instrumentalist Emmett Kai for the entirety of 2023. “I can’t pinpoint exactly what affected it, but I do think the sun has its beam on me. Through all of these releases, it’s so cool to see which eras I’ve gone through and what I’ve experimented with,” says Jordana.\u003cbr\u003e\u003cbr\u003eThough the concept of eras is exhaustingly omnipresent at the moment, Jordana has earned the right to draw the definitive lines between her releases and musical phases. Her current iteration owes a debt to a deep love for artists like The Mamas \u0026amp; The Papas, Carole King, Donald Fagen \u0026amp; Walter Becker - all New Yorkers who, like Jordana, moved out west and found their sounds flourishing.\u003cbr\u003e\u003cbr\u003eYou can hear that newfound confidence on the blissed out opening track “We Get By,” a rollicking folk rock epic brave enough to detour into a forty second violin solo. “I’m fully back on my violin shit and it feels good. I’m so glad I rediscovered the magic of it,” says Jordana of the instrument she studied as a child. “Sometimes you need time away from something to come back to it with open arms.”\u003cbr\u003e\u003cbr\u003e“The whole record is this mixed bag of tricks with plenty of cheeky lyrical and instrumental decisions,” she says. “We’re taking tons of risks here.”\u003cbr\u003e\u003cbr\u003eBut it’s not just the music that takes risks on Lively Premonition, Jordana’s writing blossoms as well. For the first time ever, the thematic and conceptual preoccupations of her songs stem from stories both real and imagined. “I was actually ushered into a new process of writing I didn’t think I was capable of,” she says. “Making shit up!”\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOn “Like A Dog” a jaunty bassline leads a sunbeam synth and staccato piano stabs under a song about being a dog for someone’s admiration. “I love how theatrical it sounds with the metaphorical humor of being a dog for someone,” says Jordana. “But the breakup songs were straight up for the most part – I don’t fuck around with that.”\u003cbr\u003e\u003cbr\u003eSo ultimately the core of the record comes back to her lived experience: crumbling relationships, a newfound sobriety, finding a place in a new city and people to help build it with her.\u003cbr\u003e\u003cbr\u003e“It’s about the cycle of love, heartbreak, lust, party-going, self acceptance, connections, and rediscovering yourself over and over again,” says Jordana about the album’s themes. “I can’t thank Emmett enough for basically being my therapist through all of it.”\u003cbr\u003e\u003cbr\u003eThe results of these therapy sessions often exist at two poles: glitzed out parties like “Raver Girl” and “Multitudes of Mystery” or golden hour ballads like “Anything For You” and “The One I Knew.” Two sides from a record that refuses to be content with staying still, much like the artists responsible for it.\u003cbr\u003e\u003cbr\u003e“It makes me wonder what I’ll do next. Country? Folk? Go back to my Lindsey Stirling Dubstep violin obsession? Hell, why not!? I’m learning more and more about myself through each one.”\u003cbr\u003e\u003cbr\u003eLuckily, listeners are too.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Jordana","offers":[{"title":"Limited Blue Online Exclusive Vinyl","offer_id":53696865861908,"sku":"hdh1787252757852","price":15.36,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":53696865894676,"sku":"uvm1787252757853","price":10.27,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":53696865927444,"sku":"mzo1787252757854","price":7.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/9486\/7220\/files\/lively-premonition_1.jpg?v=1787252763"},{"product_id":"goyard-ibn-said","title":"Goyard Ibn Said","description":"\u003cdiv\u003e\u003cspan style=\"color: #000000; font-family: arial, sans-serif;\"\u003e2xLP is pressed on Eco-Mix Grey vinyl\u003cbr\u003eNote: Eco-Mix uses leftover vinyl pellets and because of this, all vinyl will be unique within a range and will look similar to the mockup. No two records will be exactly the same.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNot many rappers have performed at enormous venues, punk rock dive bars, and Marxist book stores - introducing: Ghais Guevara. \u003c\/span\u003e\u003cspan\u003eBorn and raised in North Philly, h\u003c\/span\u003e\u003cspan\u003eis discography contains two previous mixtapes, with \u003c\/span\u003e\u003cspan\u003eGoyard Ibn Said\u003c\/span\u003e\u003cspan\u003e Ghais' debut album. Influences range from Ingmar Bergman’s 1966 film \u003c\/span\u003e\u003cspan\u003ePersona \u003c\/span\u003e\u003cspan\u003ewhich Ghais says “\u003c\/span\u003e\u003cspan\u003eopened my mind to the concept of the deflated self as a result of trauma\u003c\/span\u003e\u003cspan\u003e” to Frantz Fanon’s \u003c\/span\u003e\u003cspan\u003eBlack Skin, White Mask\u003c\/span\u003e\u003cspan\u003e and onto Oliver Sacks’ \u003c\/span\u003e\u003cspan\u003eThe Man Who Mistook His Wife For A Hat\u003c\/span\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFirst single \u003c\/span\u003e\u003cspan\u003eLeprosy\u003c\/span\u003e\u003cspan\u003e, a song inspired by multiple nights in NYC, winning acclaim from publications such as \u003c\/span\u003e\u003cspan\u003eClash\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eThe Line Of Best Fit\u003c\/span\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cspan\u003eBrooklyn Vegan\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eElsewhere on the album, \u003c\/span\u003e\u003cspan\u003e4L \u003c\/span\u003e\u003cspan\u003ewas written after Ghais experienced some fun “trips”, while \u003c\/span\u003e\u003cspan\u003eBystander Effect\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003efeatures production from DJ Haram, alongside Ghais' Fat Possum labelmate, and one-half of Armand Hammer, ELUCID. \u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGhais Guevara has turned in an eclectic mix of sounds - tribalistic boombap, trap and club and drill amalgamated against sultry soul, dense wordplay and highly danceable postmodern park jams. Ghais ruminates on Philly, hip hop and the life of a Black man in America all to a soundtrack that is relentless and immersive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan id=\"m_-5964369709422237586gmail-docs-internal-guid-7a015825-7fff-8a14-e435-f7599961e713\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Ghais Guevara","offers":[{"title":"Eco-Mix Gold Double Vinyl","offer_id":53696865763604,"sku":"zim1787252757792","price":28.0,"currency_code":"USD","in_stock":true},{"title":"Eco-Mix Grey Double Vinyl","offer_id":53696865796372,"sku":"qbw1787252757793","price":28.4,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":53696865829140,"sku":"ent1787252757794","price":8.52,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/9486\/7220\/files\/goyard-ibn-said_1.jpg?v=1787252764"},{"product_id":"7-songs-for-spiders","title":"7 Songs For Spiders","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDax Riggs is a musical exorcist, blending roots rock, doom and Southern gothic. He’s known for his otherworldly lyrics, folk metal ballardry and a gift for capturing the beauty in darkness. From the teenage death sludge of Acid Bath through the country punk garage folk of deadboy and the Elephantmen he has risen. ‘7 Songs for Spiders’ is Riggs’ third solo record and his first release in 15 years. It’s inspired by world music, gospel, hillbilly and proto metal sounds with an undercurrent of rebellious joy.\u003cbr\u003e\u003cbr\u003ePut on your face and laugh. Take off your mask and sing. 7 Songs for Spiders.\u003c\/p\u003e","brand":"Dax Riggs","offers":[{"title":"Black Vinyl","offer_id":53696866025748,"sku":"hzh1787252759074","price":18.72,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":53696866058516,"sku":"xco1787252759075","price":10.22,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/9486\/7220\/files\/7-songs-for-spiders_1.jpg?v=1787252765"},{"product_id":"frisco-mabel-joy","title":"Frisco Mabel Joy","description":"\u003cp\u003e'Frisco Mabel Joy is a 1971 studio album by singer-songwriter Mickey Newbury. This was the second of three albums Newbury recorded at Cinderella Sound. The album includes the original version of \"An American Trilogy\", which Elvis Presley later performed in his Las Vegas shows with much success.\u003c\/p\u003e\n\u003cp\u003e\"If the stories and arrangements aren't enough to confound and inspire the listener, the melodies, all of which have their roots in country music, are even much more simply deceptive, they turn in on themselves and extend each measure with complex phrasing and mode changes, that they extend far beyond their conventionally notated margins. Frisco Mabel Joy is a masterpiece.\" - All Music\u003c\/p\u003e","brand":"Mickey Newbury","offers":[{"title":"Black Vinyl","offer_id":53696866189588,"sku":"kvg1787252760649","price":12.48,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":53696866222356,"sku":"zrn1787252760650","price":8.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/9486\/7220\/files\/frisco-mabel-joy_1.jpg?v=1787252766"},{"product_id":"heaven-help-the-child","title":"Heaven Help The Child","description":"\u003cp\u003eHeaven Help the Child is a 1973 studio album by country singer-songwriter Mickey Newbury. The album was Newbury's third consecutive release recorded at Cinderella Studios. Noted for its dramatic remakes of four previous Newbury songs: \"Sweet Memories\" and \"Good Morning Dear\" from Harlequin Melodies, \"Sunshine\" from Sings His Own, and \"San Francisco Mabel Joy\" from Looks Like Rain, the album is considered equal among Newbury's acclaimed Looks Like Rain and Frisco Mabel Joy. Apart from its definitive versions of three of Newbury's early songwriting hits, the album is also acclaimed for its title track, with its multi-generational narrative, the haunting \"Cortelia Clark\", and the bluegrass classic \"Why You Been Gone So Long\". In his AllMusic review of the LP, Thom Jurek declares, \"Newbury, for the third time in as many recording sessions, came up with a record that defies categorization. And for the third time in a row, he had done the impossible, created a masterpiece, a work of perfection.\"\u003c\/p\u003e","brand":"Mickey Newbury","offers":[{"title":"Black Vinyl","offer_id":53696866418964,"sku":"wqu1787252762723","price":12.8,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":53696866451732,"sku":"nvg1787252762724","price":7.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/9486\/7220\/files\/heaven-help-the-child_1.jpg?v=1787252769"},{"product_id":"georgia-gets-by-split-lip-t-shirt","title":"Georgia Gets By Split Lip T-Shirt","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNew Georgia Gets By t-shirt design printed on Comfort Color blanks. Limited edition, only 100 made, not to be reprinted.\u003c\/span\u003e\u003c\/p\u003e","brand":"Georgia Gets By","offers":[{"title":"2XL","offer_id":53696866582804,"sku":"zct1787252763895","price":20.1,"currency_code":"USD","in_stock":true},{"title":"XL","offer_id":53696866615572,"sku":"coz1787252763896","price":23.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/9486\/7220\/files\/georgia-gets-by-split-lip-t-shirt_1.png?v=1787252770"},{"product_id":"aint-love-grand","title":"Ain't Love Grand","description":"\u003cp\u003eAin't Love Grand is the fifth studio album of the American rock band X, produced by Michael Wagener, released in July 1985. This RSD Black Friday release will also include a 7” of the band’s single “Wild Thing”.  The last vinyl pressing of Ain’t Love Grand was in 1985.\u003c\/p\u003e","brand":"X","offers":[{"title":"Red Smoke Vinyl","offer_id":53696866877716,"sku":"gsy1787252765529","price":21.56,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/9486\/7220\/files\/aint-love-grand_1.jpg?v=1787252772"},{"product_id":"mini-mix-vol-1-3","title":"mini mix vol 1-3","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMagdalena Bay is now famous for their sweeping, high-concept pop epics Mercurial World and Imaginal Disk, but it was the duo’s charming, self-proclaimed “mini songs” that first captured our hearts and imaginations back in 2019. Mica and Matt traversed more of pop music’s history and conjured more brilliant ideas and undeniable hooks in these sub-two-minute bangers than the average pop group musters in their entire career. The duo then compiled these irresistible tiny tracks into immaculately sequenced “mini mixes” that rank among the most beloved releases of the 2020s, and a beguiling prequel to the pop dominance that was to come from Mag Bay.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Magdalena Bay","offers":[{"title":"Iridescent Blue Double Vinyl","offer_id":53696867008788,"sku":"xqi1787252766155","price":24.8,"currency_code":"USD","in_stock":true},{"title":"Black Double Vinyl","offer_id":53696867041556,"sku":"qsz1787252766156","price":27.3,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/9486\/7220\/files\/mini-mix-vol-1-3_1.jpg?v=1787252772"},{"product_id":"blue-reminder","title":"Blue Reminder","description":"\u003cp\u003e\u003cspan\u003eThe twelve songs on Blue Reminder walk a kind of emotional tightrope between hope and a kind of quiet anxiety, the record itself batting around the question of what one does when happiness actually comes knocking. At the core of these songs the genuine joy of love and self-actualization are always balanced against the potential fear of losing those things once you’ve found them. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis collection of songs largely eschew the more insular nature of earlier Hand Habits records, instead veering into the guitar-forward vibe of 90’s indie rock, with deftly assured songs that could exist in the same sonic universe with Aimee Mann or Neko Case, with the sort of left of center shifts in tone and lyrical observations that would not be out of place on a Cate Le Bon tune. Throughout the songs, guitars fuzz, drums move to the forefront, and the occasional horn or wurlitzer pass through. Everything feels elevated. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“I think it's so corny to write love songs,” admits Duffy, who is somewhat loath to think of Blue Reminder as simply a love record. “I can’t deny that a lot of these are ostensibly love songs, but they are also love songs through my very specific kind of lens. It is about how falling in love does feel both terrifying and exciting, but this record is about commitment in a lot of ways. Committing to a person, to an idea, to being a more honest version of yourself. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile Duffy doesn’t necessarily want the entire narrative around Blue Reminder to circle around romantic love, or to perhaps suggest that it’s only romantic love that allows us to be actualized or fulfilled, it does feel important to celebrate the joy of such things at a time when queer and trans people are largely being vilified. In a moment where there is so much fear and uncertainty, loudly articulating happiness and giving voice to healthy relationships feels like a profound pushback against all the darkness.\u003c\/span\u003e\u003c\/p\u003e","brand":"Hand Habits","offers":[{"title":"Limited Serenity Color Vinyl","offer_id":53696867107092,"sku":"jac1787252767981","price":20.8,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":53696867139860,"sku":"urs1787252767982","price":17.25,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":53696867172628,"sku":"fnk1787252767983","price":8.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/9486\/7220\/files\/blue-reminder_1.jpg?v=1787252774"},{"product_id":"rong-weicknes","title":"Rong Weicknes","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan\u003eFievel Is Glauque is an international collaboration between New York-based keyboardist and bandleader Zach Phillips and Brussels-based singer and performer Ma Clément. The \u003c\/span\u003e\u003cspan\u003eRong Weicknes \u003c\/span\u003e\u003cspan\u003eband is an octet lineup of musicians from the US, Belgium and Canada, featuring: Thom Gill (guitar), Logan Kane (bass), Daniel Rossi (percussion), André Sacalxot (saxophone, flute), Gaspard Sicx (drums), and Chris Weisman (guitar, electric sitar).\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003e\u003cspan id=\"m_-1760793388415107699m_276251847835857200gmail-docs-internal-guid-8f40a0eb-7fff-af43-1d66-b6a302e8ecb3\"\u003e\u003cspan\u003eFinding themselves in the novel position of having, for the first time, more than a single day to record an album \u003c\/span\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cspan\u003ea label to record it for, Zach and Ma put together a band and brought them to live and record at The Outlier Inn, a farm and music studio in upstate New York, from July 27\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eto August 2, 2023. With time in the studio to experiment, Fievel Is Glauque finally had the resources to try an old idea Phillips had never brought to fruition: a recording approach he calls “live in triplicate.” First laying down a foundational take, then a duplicate take on top of it, and finally an improvisatory, antagonistic take, the octet exclusively played live together without using a click track, so that each layer of performance features tiny rhythmic variations and imperfections, both intentional and not.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRong Weicknes \u003c\/span\u003e\u003cspan\u003eis the result of a band using their hard-won resources to take a major risk and try something new. It’s obtuse, maximalist, imperfect, and, above all, refreshing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eMa Clément: co-writing, singing\u003cbr\u003eThom Gill: electric guitar\u003cbr\u003eLogan Kane: electric bass, upright bass\u003cbr\u003eZach Phillips: co-writing, editing, Hohner Clavinet E7, Yamaha C7 grand piano, Octave-Plateau Voyetra-8, ARP String Ensemble\u003cbr\u003eDaniel Rossi: percussion\u003cbr\u003eAndré Sacalxot: alto saxophone, flute\u003cbr\u003eGaspard Sicx: drums\u003cbr\u003eChris Weisman: Reuben Cox rubber-bridge guitar, Danelectro sitar guitar, strat and Yamaha C7 grand piano on \"Kayfabe\"\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan id=\"m_-1760793388415107699m_276251847835857200gmail-docs-internal-guid-981a13b2-7fff-b0e7-f54e-c9e2d174ee31\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c!----\u003e","brand":"Fievel Is Glauque","offers":[{"title":"Smores Color Vinyl","offer_id":53696867238164,"sku":"qqg1787252768484","price":17.28,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":53696867270932,"sku":"nmj1787252768485","price":18.36,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":53696867303700,"sku":"tqf1787252768486","price":11.06,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":53696867336468,"sku":"kqx1787252768487","price":9.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/9486\/7220\/files\/rong-weicknes_1.jpg?v=1787252774"},{"product_id":"a-man-for-all-seasons","title":"A Man For All Seasons","description":"\u003cdiv\u003eSaul Adamczewski, co-founder of Fat White Family and frontman of Insecure Men, endured a harrowing personal collapse in 2024, spending months in a cupboard in Tulse Hill amid severe psychosis and opioid addiction. After calling his mother and undergoing withdrawal, he began rebuilding his life, reconnecting with family and bandmates. This recovery led to A Man For All Seasons, the second Insecure Men album and a creative rebirth.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eRecorded in the spring of 2025, \u003ci\u003eat Ray Davis’ Konk Studios in Hornsey, North London with producer Raf Rundell,\u003c\/i\u003e the album reflects Adamczewski’s shift toward collaboration, with a band lineup including Marley Mackay, Victor Jakeman, Fat White Family’s Alex White and Steely Dan Monte. Thematically, the album confronts heartbreak, mental illness, and addiction, blending melancholic country influences with lush, narcotic lounge-pop textures. Tracks like ‘Time Is A Healer’ channel raw emotion, while songs like ‘Alien’ and ‘Cleaning Bricks’ showcase the album’s more junkshop pop instincts.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eRooted in Adamczewski’s country-infused upbringing, the album carries the ghostly, submerged sonic identity familiar from the first Insecure Men release, yet it feels more communal and mature. His songwriting is both confessional and escapist, offering solace and catharsis. 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Jagged and intimate, the film is a handheld window into a different world; “Hogarth on Beale Street” as writer Richard Williams describes it in the album’s liner notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"J Spaceman \u0026 John Coxon","offers":[{"title":"White Vinyl - Alternate Artwork","offer_id":53696870285588,"sku":"igu1787252775254","price":20.1,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":53696870318356,"sku":"itf1787252775255","price":20.59,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/9486\/7220\/files\/music-for-williams-egglestons-stranded-in-canton_1.jpg?v=1787252781"},{"product_id":"release-it-to-the-sky","title":"Release it to the Sky","description":"","brand":"Jim Mize","offers":[{"title":"Compact Disc","offer_id":53696870449428,"sku":"hml1787252777023","price":9.36,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/9486\/7220\/files\/release-it-to-the-sky_1.jpg?v=1787252783"},{"product_id":"i-am-just-a-boy-leave-me-alone-expanded-edition","title":"I AM JUST A BOY LEAVE ME ALONE !!! 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It’s a translation of white knuckles, grinding teeth and fingernails bitten raw: the inner turbulence that wrestles with a calm exterior. You might sit in the corner with your drink, try to lose yourself for hours in front of a screen – but for their second album, Honeyglaze confront it all, digging their fingernails under the scabs. Confrontation and confidence; intensity and catharsis – these are the hard-earned rewards of a band who are ready to reintroduce themselves.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003e“It was quite reactionary,” reflects vocalist and guitarist Anouska Sokolow. “Musically, we were reacting to the first album thinking, ‘How can we do better?’” Emerging from South London with bassist Tim Curtis and drummer \u003cspan\u003eYuri Shibuichi who completed the picture by illustrating the tensions of her inner world, Honeyglaze grew in a strange time, warped by the pandemic. Brought to light by Dan Carey’s scene-defining label Speedy Wunderground, their 2022 self-titled debut album captured \u003c\/span\u003eSokolow’s coming-of-age. Fraught with arresting sincerity and deadpan wit, she announced herself as a singular songwriter who dared to share the parts of ourselves we’d rather hide: creative inadequacy, the fortress built around a closely-guarded heart, and the bad haircuts and bleach-jobs born from unsettled identity.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eWritten in the awkward limbo between adolescence and adulthood, Honeyglaze felt themselves outgrowing their debut even as they were making it. But from this creative boredom with a sound which fit like a t-shirt two sizes too small, there began a time of radical growth. The foundations of \u003ci\u003eReal Deal\u003c\/i\u003e were laid in the post-tour hangover, from the unwelcome interruption of the real world and the realities of surviving within it as artists. Sokolow had been contending with a break-up and moving homes; the record was written not in a studio but within the four, trusted walls of her bedroom. During this period of upheaval, she says, “I really think this album was one of the most consistent things in my life.” The band would meet every Wednesday to rehearse and evolve their new material, enjoying the luxury of time to delve into their parts and follow their instincts without intervention. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eLyrically, much of their debut record was written by Sokolow without the intention of it reaching anyone’s ears. \u003ci\u003eReal Deal\u003c\/i\u003e, however, was made to be heard. It’s serious, this time: the band climb into the ring, gloves up. Recorded with Grammy-nominated producer Claudius Mittendorfer (Parquet Courts, Sorry, Interpol) at a residential studio in the countryside, they were afforded the space - both literally and mentally - to explore new dimensions to their sound on their own terms. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eThe record, released by the taste-making label Fat Possum, is a translation of the urgency of their live performance. Armed with the experience of a tour under their belts, \u003cspan\u003eShibuichi’s percussion is detonated like explosives on opening track “Hide”, landing like a sucker punch, while Curtis’ bass sections coil the tension to make the chorus feel phenomenally cathartic. “We wanted to express dark feelings not just lyrically, but as a band, through dynamics, distortion, shock and emotion,” explains Curtis. “You want to get all of this out in your music, but you can’t when the songs are too ‘nice’.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eWhen you dream, there’s an idea that everyone in the dream is you. The storytelling on \u003ci\u003eReal Deal \u003c\/i\u003eis a departure from the flushed, self-consciousness of their debut to usher in a matured self-awareness. Sokolow writes through a lens of character and costume, exploring people’s minds through vignettes like a presiding narrator – but through this hall of mirrors, she is still the real image.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003e“Cold Caller” leans into the specifics of fiction while revealing something painfully true about the nature of loneliness and disconnection. Over a meandering rhythm, Sokolow’s narrator becomes infatuated with a cold caller and their false interest. She sings, twisted in polite agony: “\u003ci\u003eI’ll do anything I’m told \/ Just to know I’m not alone.\u003c\/i\u003e” Curtis shares of the song, “It’s funny, because it’s a complete dynamic reversal: the last person you’d usually want attention from is a cold caller. Can you imagine how lonely someone must feel if you aren’t getting enough from them? Wishful thinking and delusion determine your reality more than you’d think.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eThe band’s command of storytelling also lies with their musical volatility. A rhythm might lull you into a daydream before a whiplash-inducing switch; Sokolow’s voice eases into gentle surrender before being swept by a tide of anxiety. “\u003ci\u003eDrink, I drink my drink\u003c\/i\u003e”, she sings with deceptive cheerfulness on ‘Pretty Girls’, a self-soothing mantra to get through a social setting where you feel like an imposter. A suppressed confession rises to the surface, sliding down the scale: “\u003ci\u003eBut alcohol makes me feel sad, I want nothing to do with that…\u003c\/i\u003e” Then, an interruption: “\u003ci\u003eSlip, for a second I slip\u003c\/i\u003e” - the music hangs in suspension, and while you wait for the pieces to fall, a familiar nausea curdles in the pit of your stomach. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eThere is deliberate tonal shift in the middle as you turn from Side A to Side B. The dam bursts with “Don’t”, a masterwork in tension and release (which, as an attentive listener will realise, draws from the melody of “Bills” by Destiny’s Child). There is a new emotion here, a new sound: rage. Against a backdrop of \u003cspan\u003eShibuichi’s drums which rain down like hellfire and serrated guitars, \u003c\/span\u003eSokolow’s conversational delivery takes on a kind of quiet menace. She issues a calm warning, before the tension snaps; the pacing bass is silenced as she boils over into collar-grabbing fury: “\u003ci\u003eDon’t raise your voice and interrupt me when I’m speaking \/ I’m a person too you know I’ve got things to say I’ve got fucking feelings.\u003c\/i\u003e”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan style=\"font-family: arial, sans-serif;\"\u003eBut what lies beyond this exorcism is relief. Side B takes hold with cinematic instinct, the satisfaction of the calm after you’ve weathered the storm. 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Drawing inspiration from unsolved mysteries - inexplicable cattle mutilations, the presence of God, the impossibility of femininity - Samia examines how shadows can loom larger than their source. “I noticed a pattern in my life of wanting to live up to the person I became in someone's head; you become a lot bigger with distance,” she reflects, exploring the allure of existing as a fantasy. Through haunting harmonies and spectral imagery, the album seeks a path through that space between void and flesh-and-blood presence. Samia would like to be both, to be whole, to be impossible. \u003c\/p\u003e\n\u003cp\u003eRich with layers that shift seamlessly from sparse folk to sweeping indie-pop epics, Bloodless explores Samia's relationship with a fragmented, symbolic version of Men—a patchwork of expectations and imagined standards she tried to meet, which ultimately shaped her sense of self. “I’ve spent the past two decades unintentionally conflating men with my understanding of God,” Samia explains. “The person I became in order to impress this imagined figure is inseparable from who I am today. With this album, I’ve tried to confront that head-on.”\u003c\/p\u003e\n\u003cp\u003eWritten \u0026amp; produced in both North Carolina and her new home of Minneapolis throughout 2024, Bloodless finds Samia reuniting with longtime-collaborator Caleb Wright and Jake Luppen for the highly-anticipated follow-up to 2023's revered Honey, which followed Samia's 2020's breakthrough debut The Baby. 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Recorded over a six month period in their Long Beach studio, the ten songs that make up the record find cohesion “not just in the art but the physical space”: the band’s self-made studio as well as their longstanding friendships. Produced by Reeves and mixed by Phil Ek (Modest Mouse, Duster, Fleet Foxes), you can begin to pick up the separate stylings and personalities of the band members by the songs they independently write (five out of the six band members have vocal and lyrical credits on the record) before bringing to the band at large, where the songs often grow into new forms all together. Despite this individual approach to songwriting, they describe each other as “branches of the same core life” whose colliding influences and experience all bleed into the songs.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt’s their devotion to all forms of art that has lead to the band as the centerpiece. 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Or maybe it’s not that deep: in “Horse,” Reeves dreams of a simpler life, in the countryside with kids and a maxed out credit card. “Live, laugh, love,” he sighs earlier on in the record; “plant my ass \/ deeper than a root.”\u003cbr\u003e\u003cbr\u003eMuch like the original Dutch Interiors, a series of three surrealist paintings by the artist Joan Miro in 1928 that are of themselves reimaginings of their original works, the band continue to ruminate on the permanence of anything and everything, and the inescapable conclusion that change ushers on whether we’re ready or not. It’s a feeling that remains with you long after the music stops playing. But in this heightened fragility also exists the band’s shared vision that if we dig our heels in, and nourish the relationships that bind us, a brighter version of the future emerges. 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